If you have ever wondered how bronze sculpture is made, you will be fascinated by this:
Soure: http://www.parkwestgallery.com/artist/nano-lopez
Nano continued his upper division studies and studio work at the School of David Manzur, The Rembrandt Academy, and the National University in Bogota. In 1978, he traveled to Spain and began working for the sculptor Francisco Baron. While with Francisco, Nano carved marble and granite and fabricated in steel. He worked all three materials on a monumental scale. It was in Madrid that he began casting his own works in bronze and held his first single artist show. After several years of learning in Madrid, Nano traveled to France, where he furthered his studies, showing his work more often. He attended the Superior National School of Beaux Art in Paris,
and focused his studies in new materials, discovering the versatility of various casting media.
In 1981, he returned to Bogota to build a studio and put to use the methods he had learned in Europe. In 1983, Nano moved again this time to the Pacific Northwest area of the United States. He began to work with Manuel Izquierdo, head of the sculpture department at the Pacific Northwest College of Art. During the following four years, he was employed by various bronze foundries in the Northwest, and further developed his techniques in welding, and tooling of bronzes. Additionally, he continued to learn and develop skillful and original uses of patinas.
Nano began his own business in 1987 in Walla Walla, Washington, model-making, reducing and enlarging maquettes to monumental sizes. There was a great demand for Nano’s talent by both artists and foundries. In 2001 and 2002, Nano designed, built, and moved into his custom building. It contains very high ceilings with skylights and 8,000 square feet of floor space. Nano’s attractive building is enhanced by artistic landscaping and a beautiful scenic pond. It now serves as his personal studio space.
Nano has become successful in the production and marketing of his fine art bronzes and no longer takes on the business of enlargements. This frees up his time for the creation of his own work. His “Nanimals” engage viewers of all ages and reflect a sense of playfulness, intense creativity, and wonder. The combination of Nano’s classical training, experimentation with materials, and extensive experience, has led to the production of avant-garde art, which combines aesthetic considerations and rich textural surfaces. Nano’s work invites us to experience a range of emotions from joyful sense of wonder and creativity to deeply felt emotions relating to the human struggle.
:o)
The process shown in the second video is absolutely fascinating. He is a fantastic artist.
ReplyDeleteIn the first video he says he has always been attracted to gears. Who does that sound like? I said to myself: That is how she found the videos - GEARS!!!
Wasn't really looking for gears (this time)! I saw a pic of one of his horses and that led to a search of another one .. and another one...and well, you know how it goes - the hunt is on! Watched every video I could find with him in it. I think I found a soulmate - gears and textures - what a combo!
DeleteBacks up what I have always said and known. Art CANNOT BE TAUGHT. Technique can be taught, not art. Either you are born with it or you are not.
ReplyDeleteI am a musician, and I have the 'talent'. Meaning that I was born with the musical gene (as my girlfriend says - she also claims I have the sewing gene, she got the cooking gene ;->) I have given private music lessons and you know right away whether the person you are teaching has any talent at all. They can be motivated beyond belief, but they may never do anything more than 'read the notes off the page'. No feeling. No improv.
The man is clearly CLEARLY an artist, and was probably doodling wunnerful pictures when he was 3. Thank you for bringing him to my attention - your blog is my first stop right after I finish checking my bank accounts.
Fair Winds, ChickenMom!!
Cap'n Jan
P.S. I saw a cute (I thought) article about some janitors in an art museum that took out the trash... Only it was a 'highly regarded' piece of 'art'.
Yeah. Right. That ought to be a test. Put the 'piece of art' in question in a pile of other trash, and if the trash men don't recognize it as art, it ain't ;-> Certainly no taxpayer should be extorted to pay for 'public art'. Think about it. They can come and take your house if you don't pay your taxes and they squander it on questionable junk. (Oh, don't get me STARTED on schools!!!)
You are so right! Never "got" modern art. Looks like something even I could do after a few glasses of really good wine! LOL. But Mr. Lopez? .... Think I will keep my eyes on him!
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