Mostly about my backyard chickens. (Boring, I know), but there are a lot of us out here. Mine are only kept as pampered pets. I could eat a neighbor's chicken, but not MINE. There may be a comment on current events only if I get riled up enough. And there will always be a cartoon or a joke to cheer us. I promise to try my very best to respond to comments. Now I have to figure out how this blogger thingy works....
Fabian - An overnight singing sensation, film star with
over 30 films to his credit, and producer of his own concert series,
Fabian continues to expand his ever growing career. Receiving
one of show business' highest accolades, this pop music and film
star was honored with a star on the Hollywood Walk of Fame
on January 8, 2002. He was recognized for over 40 years of live
performance with the famed boulevard's 2188th star. Following
his successful film career, Fabian has performed at packed
concerts, stadiums and casinos from coast to coast and internationally
in festivals and theatrical productions. He honored his fans by
dedicating his star to them on that memorable day.
His loyal fans are never disappointed. His performance exudes the
raw energy that made him one of music's first rock stars.
Fabian hosted and headlined in the
hit show, "The Original Stars of Bandstand" at
the Dick Clark Theater in Branson, Missouri.
Fabian's first appearance on American Bandstand was
June 19, 1958 and he appeared on the show over 20 times. He filled
in for Dick Clark as host on dozens of "Caravan of Stars"
Tours. "The Original Stars of Bandstand" re-created
those days and drew record audiences. "It was like a reunion
when I got to get re-aquainted with all of my friends again,"
said Fabian. The show also stared Bobby Vee and featured The
Chiffons, Brian Hyland, Chris Montez and rare footage of the performers
and Dick Clark.
Fabian continues to perform with two of his Philadelphia
buddies, Frankie Avalon and Bobby Rydell as "The Golden
Boys" in one of the longest running shows of its genre
today. In their 20th year together, they have appeared in every
major city in the United States and around the world. They have
played to packed venues in Atlantic City and Las Vegas and have
starred in"The American Music Awards", "Miss Teenage
America", and Command Performance: An All Star Salute To The
President" television specials. The Philadelphia Music Alliance
honored Fabian in 2000, with a star on their Walk of Fame
and Fabian visits that city any chance he gets to enjoy the
best cheesesteaks anywhere!
Fabian's early films rocketed him to stardom. He made his
screen debut in 1959 in "Hound Dog Man", directed
by Don Segal. He traveled iout of the country to make "Five
Weeks In A Balloon" and "The Longest Day".
He worked with two of our great screen giants in "North
To Alaska" with John Wayne and "High Time"
with Bing Crosby. Fabian was fortunate to have worked with
the incomparable and gracious James Stewart in two films in his
career, "Mr. Hobbs Takes A Vacation" and "Dear
Brigette." He learned to surf with Tab Hunter in "Ride
The Wild Surf" which has become a cult classic. More recent
work includes being interviewed by Michelle Pfeiffer in the 1996,
Jon Avnet directed film, "Up Close & Personal".
Fabian's role as a homicidal maniac in the TV production
titled "A Lion Walks Among Us" directed by Robert Altman
solidly established him as a versatile and powerful actor. This
history making production was the first television show to run an
hour without commercials.
As an actor, Fabian makes frequent television and feature
film appearances. Some of his most memorable television roles have
been his guest appearances on Laverne & Shirley, Facts
of Life, Blossom and Murphy Brown. Fabian
recently hosted his second PBS Special, "At The Drive-In.""Fabian's GoodTime Rock 'n Roll Show", broadcast
live in front of 85,000 fans in Baton Rouge, Louisiana, featured
the great rock acts from the 50's & 60's, was the first concert
produced for pay-per-view-television and PBS. Fabian was
the Host, performer and producer of this concert special. Fabian
is also an Emmy-nominated producer for his work on the highly
acclaimed documentary series "The Wild West".
Fabian has enjoyed a successful commercial career representing
products such as Pepsi, Denny's & Nutri System to name just
a few and lends his distinctive voice to radio and voiceovers for
commercials and television projects.
Fabian is one of the first pop rock artists ever to be known
by just one name. Answering the most often asked question,
Fabian is his real birth name having been named after his
paternal grandfather, Fabiano Forte. Today children of his fans,
a type font, and a hurricane have been named after him, which really
caused quite a stir. His full name is Fabian Anthony Forte....better
known now as www.fabianforte.net
Born on February 6, 1943 to Josephine and Domenic Forte, Fabian
Forte was discovered at the age of 14 sitting on his front steps
in Philadelphia. Fabian had just watched his father being
taken away in an ambulance when he was approached him about becoming
a singer. His father couldn't work any longer as the oldest of three
brothers, Fabian took a chance at "making some money"
to help his family out and never thought of it as a career. Soon
thousands were to throng to his concerts and the rest is a music
business success story. At 15, Fabian won the Silver Award
as "The Promising Male Vocalist of 1958". By the time
he was 18, he had recorded dozens of hit singles, eight albums
and earned gold records for "Turn Me Loose"
and "Tiger" and a gold album for "The Fabulous
Fabian".
In 1998, Fabian married model Andrea Patrick, a former Miss Pennsylvania-USA and Miss West Virginia who is the Owner/CEO of Patrick Talent Agency and Editor-in-Chief/Publisher for US Fashion magazine, GLADYS Magazine.
He is also a proud father of a son Christian and his
wife, Mercedes and their daughter, Fabian's grandaughter, Ava
Josephine, and grandson Anthony and a daughter, Julie Forte. Fabian and
Andrea are actively involved in the American Diabetes Association, The
American Heart Assocation. Fabian has helped raise money for veterans
with his Celebrity Golf Tournament in North Carolina. Andrea and Fabian
live on 20 acres in Southwestern Pennsylvania in a home that Andrea
designed. Singer, performer, actor, producer, father, husband and friend.....Fabian
is a man who has had longevity in his career because of his perseverance,
his loyalty, his professionalism, his wonderful, kind heart and
his tenacity. Fabian has traveled the show business ladder
and survived, his sense of humor and integrity intact. And for that.
he truly is the FABULOUS FABIAN.
Look where an engine from Rogers Locomotive Works in New Jersey wound up!
The NZR K class of 1877 was the first example of American-built locomotives to be used on New Zealand's railways. Their success coloured locomotive development in New Zealand until the end of steam.
In 1877, the new Chief Mechanical Engineer of the NZR, Allison D.
Smith required some new motive power for the fledgling Government
system. It had been intended to order more J Class
locomotives which were of an English design. However, Mr Smith was
adamant American locomotives would be much more suitable for New
Zealand's conditions. His argument won, and an order was placed with the
Rogers Locomotive Works of New Jersey, for two tender locomotives with a wheel arrangement of 2-4-2.
Upon their arrival to New Zealand, the locomotives created quite a stir
with their bar frames, 'Gothic' style wooden cabs, locomotive bell,
ornate embellishments and, rakish appearances which were at odds with
the traditional English locomotive appearance in New Zealand at the time
and were described by one commentator as "a watch with all its works
outside".
In addition this first pair, K 87 "Lincoln" and K 88 "Washington",
reputedly wore a 'kaleidoscope' of colours - green, blue, yellow, red,
purple, and gold in addition to their Russian Iron
boiler jackets. The Baldwin and Rogers locomotives reflected the
styling adopted in the 1870s by American builders with elements from the
Renaissance Revival and Neo Baroque architectural styles, and with
Islamic e.g. Moorish (from Alhambra) influences. Bold colours and
painted decorations were used.
The K class in service
After
arrival in the South Island at Lyttelton, the locomotives were quickly
put into service. K 87 "Lincoln" quickly distinguished itself by hauling
the first bogie-carriage
passenger train, and both the locomotives soon earned a reputation as
fast and free runners, with mild coal consumption. K 88 "Washington"
hauled the first train between Christchurch and Dunedin on the just-completed Main South Line, assisted by the Double Fairlie
"Josephine" south of Oamaru until "Josephine" had to be taken off the
train due to mechanical issues - caused by how K 88 was being driven by
its driver. Six more of the class was ordered from the Rogers Locomotive Works, numbered from 92 through 97 before K's 87 and 88 had entered service - the former being ordered in January 1878
while the latter entered service in March 1878, such was Allison Smiths
faith in the type of engine he had ordered. Allison Smiths faith was
well placed with railway authorities regarding the first two K's as
"infinitely superior to the English locomotives"
in operation during the same period. The second batch of locomotives
entered service in the South Island and contained almost no differences
to the first two, albeit they weren't given names and there is no record
of them wearing the "kaleidoscope" livery (it is likely K 87 and K 88
had been repainted by this time also). In 1883, due to its design
characteristics, the K class was the only class of engine officially
permitted to run at 35 miles per hour in ordinary service.
As more powerful locomotives arrived on the railway system,
increasingly of American origin, the K class became relegated from the
top expresses and cascaded down to express trains on secondary lines.
Two of the K's, K 93 and K 96, were transferred to the North Island
during this time. Beginning just after 1900 the class started receiving
new NZR-built boilers to replace their Rogers-built wagon-top boiler. The South Island locomotives gained boilers of a Belpaire
design, while the North Island pair received round-top boilers. All the
new boilers were pressed to 160psi, an increase over the original
boiler's 130psi. By this time all the locomotives had received Westinghouse brake
equipment also. It was during this time that some of the K class,
having been relegated to the Kingston-Gore branch, began earning a
reputation for the Kingston-Invercargill express train which earned the
name "Kingston Flyer".
Withdrawal and disposal
The
days of the K class in service were over during the 1920s. Both the
North Island examples, plus K 87 "Lincoln" had been withdrawn as early
as 1922. The others managed to linger on for a few more years yet, with
the last two, K 92 and K 95, not withdrawn until 1927. As was customary
at the time, the locomotives were set aside pending disposal, whatever
form that may have taken.
All remaining South Island class members lasted long enough to be
dumped as embankment protection, something which began in 1926.
Preservation
Three
of the Rogers K class have so far been exhumed and entered into
preservation. The first and most notable of these locomotives is K 88 Washington,
which was exhumed from its river grave by the Southland Vintage Car
Club on 19 and 20 January 1974. There were a number of loose plans
regarding the locomotive's future but these came to nothing. The
locomotive wreck was threatened with being pushed back into the river
until The Plains Vintage Railway & Historical Museum
came up with ambitious plans to restore it back to working order.
Beginning in July 1974, they achieved this goal in on the 7 November
1981 proving that the restoration of exhumed locomotives was possible.
It was recommissioned on the 25 November the following year. However, on
24 September 1987 the boiler of K 88 (which was the boiler that it had
been recovered from the Oreti River with) was condemned, and it was not
until 30 March 2002 that K 88 was once again in working order, this time
with a new Belpaire-style all-welded boiler and wearing an interpretation of the 'kaleidoscope' colours.
The other two locomotives exhumed so far are K 94, exhumed by a
private owner and moved to The Plains Railway on 21 April 1986. It is in
storage in an un-restored state with no active plans for restoration.
And K 92, recovered in 1985 by the Fiordland Vintage Machinery Club for
their Museum's railway venture on the shores of Lake Te Anau. Partially restored in Te Anau
the venture fell through before the locomotive had been fully completed
and subsequently the locomotive was put up for sale, with the
restoration being completed in Dunedin. Purchased by Colin Smith in
1998, the locomotive's restoration was completed and it is intended to
recreate the old "Kingston Flyer" trains of the early 1900s at the Waimea Plains Railway.
While waiting for the railway to be completed, K 92 has visited a
number of railways in the South Island, with some of the more notable
visits being those to the Kingston Flyer, an old haunt for K 92 where it triple headed with the two AB class
locomotives resident there, and also a visit to the Plains, home of K
88, where both locomotives were used together extensively.
caprimulgiforms are surrounded by an aura of mystery richly
The potoos’ complex patterns of gray, black, and brown plumage
resemble tree bark. During the day, the birds sleep, vertically perched
and virtually indistinguishable from the dead branches they roost on.
They awaken at dusk, revealing huge eyes capable of spotting moths and
other flying insects in the dark. Potoos also have wide and gaping
mouths for catching prey during their quick, short, and silent flights.
Although
pairs of potoos may forage within a few dozen metres of one another,
they are essentially solitary creatures. They are also highly restricted
nesters. Instead of building a nest, they find a branch or stub with a
suitable depression or crevice of just the right size to accommodate the
single egg they lay. The egg is chalky white, marked with brown and
gray, and is incubated by both parents for 30–35 days.
Little is
known about the natural history of most species because they are so
difficult to observe. One researcher noted a young common potoo (N. griseus, sometimes N. jamaicensis)
wandering over the boughs of the nest tree at about four weeks of age.
The same nestling made its first trial flights at 47 days and finally
left the nest when 50 days old. Other reports indicate the nestling
period to be 40–45 days. The young are sheltered by the parents only
during the first half of this period, by which time the young potoos
have attained the juvenile plumage (white mottled with brown) and are
already accomplished in assuming the “broken branch” posture of adults.
Potoos’
calls are characteristic sounds of the tropical forest at night. One
species, the common potoo, also called the “poor-me-one,” sings a
plaintive descending whistle that has been phoneticized as “poor, me,
all, alone.” Another species, the great potoo (N. grandis), belts out a distinct bawl that can disturb people unaccustomed to the nocturnal life of the tropical forest.
There are seven species of Nyctibius, and they constitute an independent family, Nyctibiidae. Potoos are related to the familiar whippoorwill of North America. All belong to the order Caprimulgiformes, a group of birds primarily active at dawn and dusk.