Barbershop......

                        ....... Quartet History 

(Written by krista sheehan)

When you think of a barbershop quartet, the image that probably comes to mind is that of a singing group of four white gentlemen in straw hats and striped vests. What many people do not know is that barbershop quartets actually developed among black men socialising in barbershops. The barbershop quartet history features many changes to this style of music.

Introduction

According to the National Public Radio website barbershop quartets originated among African American men in the late 19th century. At the time, barbershops commonly served as a sort of social centre for African American men. The men would simply sit around, converse, sing and enjoy each other’s company.

Development

Once African Americans introduced barbershop harmony to the world, it quickly gained popularity among white performers. In fact, the invention of Thomas Edison’s phonogram aided the popularity of barbershop quartets in America. Although large orchestras and choruses were too large to fit into a recording studio, barbershop quartets fit just perfectly. By the end of the 19th century, barbershop quartet music was almost entirely performed by white men.

Identification

Barbershop harmony is an improvised style of acapella music. As explained by the Acapella Foundation, the style of harmony “is characterised by its consonant, four-part, ringing chords which accommodate each note of the melody.” The main melody in barbershop quarter harmony, sung by the lead, is near the range of second tenor for men. The harmony is then built around this melody, allowing for a full-voiced effect. The tenor sings above the melody with a slightly lighter quality, while the bass sings the low notes and the baritone sings the remaining middle notes.

Changes

Although the basic qualities of barbershop music have remained the same, a few minor changes have occurred over the years. At its development, barbershop music was improvised. The men who sang the harmonies simply made up the words and harmonies as they went, adjusting the tune when necessary. Gradually, this quality changed and barbershop quartets began performing written arrangements. In fact, Acappella Foundation explains that quartets now sing popular songs from all eras and genres. Another drastic change that occurred over the years is the introduction of female singers. Traditionally, barbershop quarters involved only male performers. However, women eventually made their way into the quartets.

Professional Organizations

In 1938, Owen C. Cash founded the Society for the Preservation and Encouragement of Barber Shop Quartet Signing in America Incorporated (SPEBSQSA). Commonly referred to as the “Barbershop Harmony Society,” this organisation welcomes more than 30,000 male quartet singers into its membership. A similar organisation was developed for female quartet singers in 1945. As of 2010, Sweet Adelines International welcomes more than 30,000 female quartet singers into its membership.